![]() Verify that the cables are 1/4 inch balanced.Make sure batteries in the receiver are fresh.If audio is distorting anywhere in the signal chain, it will be distorted even if the PSM300 system is not overloading. Check levels going in and out of the mixer.Check the volume levels at the P3T transmitter and verify that the meter is not reaching the overload indicator.The MixMode knob on the bodypack adjusts the blend between the audio from channel 1 and channel 2. Note: The channel faders on most mixers do not affect the volume of the monitor/auxiliary sends.Ä®ach monitoring mix is transmitted on a separate channel to the P3R receiver. Each of these mixes are sent to separate channels on the P3T transmitter. In this example, a vocal microphone is plugged into the mixer channel.Īdjust the signal levels to send to the monitor/auxiliary outputs, each of which corresponds to a separate monitoring mix. â Mixer ChannelÄ®ach mixer channel controls audio processing and routing for a single audio source. Consult the user guide for your mixer for detailed signal routing options. The following scenario demonstrates a generic signal path for monitoring mixes, and may not reflect the routing for all mixer types. In live sound applications, the engineer creates a separate mix to send to the performer by routing the input signals to specified mixer outputs, usually called Monitor or Auxiliary outputs. ![]() The mix that performers hear on stage is usually different than the mix heard by the audience.
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